How To Read Baccarat Board

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1. How To Read Baccarat Board
2. How To Read A Baccarat Board
3. How To Read The Baccarat Score Boards

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• Appendices
• Baccarat Analysis
• Miscellaneous

Introduction

Baccarat is a game steeped in superstition. The vast majority of players keep careful track of the shoe history, either on paper or with the aid of screens that show every hand since the shoe began. There are various ways of recording this information. The companies that market the screens that display the shoe history present it in various ways, according to the most popular methods of trying to define patterns.

Before going further, let me give my usual comment on notation. When referring to an actual bet, I use capital letters. When referring to the player playing the game, I use lower case. I invite the rest of the world to follow this convention, to help avoid confusion.

For those who don’t know me, let me take a moment to say that all this effort at trying to predict the next hand is a waste of time. For all practical purposes, the odds are the same for every hand, and the past history does not matter. Now before the perfectionists out there write to me, yes, I know if you had the use of a computer, a card counter could make computer-perfect decisions according to the composition of the remaining cards, which would very rarely result in an advantage on some bets. However, that is not what I’m talking about it. I’m saying that trying to find a pattern in past Player and Banker wins is as useless as predicting the next color in roulette (on a fair wheel) according to past reds and blacks.

Although I personally don’t play baccarat, I have wondered for years about some of the tables in those displays of the shoe history. The staff at the Venetian has been very helpful in helping me understand, so that I may enlighten the rest of the world. So, with the introductions out of the way, let’s get started. Here is a picture of a typical sign, seen at the Venetian. There are various components of display, which I will address individually.

How to Read Them

Bead Plate

This section above is called the ‘bead plate.’ It used to be that players could buy a tray with cubes with sides noting Player, Banker, and Tie wins. Wins are recorded as follows:

• Blue = Player win
• Red = Banker win
• Green = Tie win

The player starts in the upper left hand corner and makes his way down. When he reaches the bottom row, he moves over one column to the right and back to the top row.

Big Road

The next section, pictured above, is called the ‘Big Road.’ This primarily keeps track of Player and Banker wins. Tie and pair wins are also noted with slashes and dots. To be specific, a tie is noted with a green line through the previous Player or Banker win. A Player pair is noted with a blue dot in the lower right corner of the hand it occurred in. A Banker pair with a red dot in upper left. In the interest of simplicity, in this example there were only Player and Banker wins.

Much like in the Bead Plate, the player starts in the upper left, as well as marking Player wins in blue, and Banker wins in red. However, instead of a solid circle, with a Chinese character in the middle, the Big Road has only the blue and red outlines of circles.

Unlike the Bead Plate, in the Big Road the player starts at the top of a new column with each change in Player and Banker winning. Note the grid is six rows deep. In the event there are seven or more consecutive Player or Banker wins, the results will move to the right, creating what is known as a dragon tail. In this example that never happens, as there was never more than four consecutive wins on the same side.

Big Eye Boy

With the next table, it is no longer so obvious what is going on, and it is here where I started to need help. As mentioned before, baccarat players are a very superstitious bunch. While the strategies they use to find patterns can be a complicated topic, one basic truth is they like predictability and repeating patterns. For example, if the last 12 hands were BBBPPPBBBPPP, I would bet that everybody at the table would bet on the Banker the next hand. Note how wins happen in groups of three. The Big Eye Boy table is useful in gauging how repetitive the shoe is. Red entries are a sign of repetition, and blue entries are a sign of a chaotic, ‘choppy’ shoe. It is important to note that in the Big Eye Boy table, blue and red are not associated with Player and Banker wins, as they are on the previous two tables.

The first entry in the Big Eye Boy table is the hand after the first entry in the second column of the Big Road, so that there is enough information to judge if a pattern is developing or not. Here is where the air starts to get thin, so pay attention. Every entry in the Big Eye Boy table, as well as the next two tables, will refer to a specific entry in the Big Road. Each entry in the Big Eye Boy is recorded as follows:

1. If the hand in question causes a new column in the Big Road, then compare the previous two columns in the Big Road. If they are the same in depth, then record a red circle in the Big Eye Boy. If they are not, then record a blue circle.
2. If the hand in question is the same outcome as the previous hand (skipping ties), then compare the cell to the left of the newly created entry in the Big Road with the cell directly above that one. If these two cells are the same, whether both Player, both Banker, or both blank; then mark a red in the Big Eye Boy. Otherwise, mark a blue.
   In other words, consider the latest entry in the Big Road. Then, move one cell to the left. Then, move up. If the move up does not result in a change, mark red, if it does, mark blue.

In the event the Big Road forms a dragon tail, for purposes of the Big Eye Boy as well as the Small Road and Cockroach Pig, assume that the Big Road is infinitely deep, and ask yourself what would have happened under that assumption.

Note that if the Big Road consisted entirely of an alternating pattern of x Player wins with x Banker wins, then the Big Eye Boy would be entirely red.

To help with this part, I explain below every entry in the Big Eye Boy table that follows. I put the results in Excel so you could refer to the exact points in the grid I’m referring to.

For example, the first entry shows cell A1 on the Big Eye Boy table. This corresponds to the same hand represented in cell C1 of the Big Road table. Since cell C1 is the beginning of a new column, we check if the previous two columns are equal in length. They are, so we color the Big Eye Boy red for cell A1.

Big Road

Big Eye Boy

Big Eye Boy — Play by Play

Big Eye Boy CellBig Road CellColorReasonA1B1A1C1RedColumns A and B equal in lengthB1C2BlueB1 and B2 don’t matchB2D1BlueColumns B and C unequal in lengthB3E1BlueColumns C and D unequal in lengthB4E2BlueD1 and D2 don’t matchC1E3RedD2 and D3 matchC2E4RedD3 and D4 matchD1F1BlueColumns D and E unequal in lengthD2G1BlueColumns E and F unequal in lengthE1HIRedColumns F and G equal in lengthE2I1RedColumns G and H equal in lengthF1I2BlueH1 and H2 don’t matchF2J1BlueColumns H and I unequal in lengthG1J2RedI1 and I2 matchH1J3BlueI2 and I3 don’t matchH2K1BlueColumns I and J unequal in lengthI1K2RedJ1 and J2 matchI2K3RedJ2 and J3 matchI3L1RedColumns J and K equal in lengthI4L2RedK1 and K2 matchJ1M1BlueColumns K and L unequal in lengthJ2N1BlueColumns L and M unequal in lengthJ3N2BlueM1 and M2 don’t matchK1N3RedM2 and M3 matchL1O1BlueColumns M and N unequal in lengthM1O2RedN1 and N2 matchN1P1BlueColumns N and O unequal in lengthO1P2RedO1 and O2 equalO2Q1RedColumns O and P equal in lengthP1R1BlueColumns P and Q unequal in lengthQ1S1RedColumns Q and R equal in lengthR1S2BlueR1 and R2 don’t matchS1S3RedR2 and R3 matchT1T1BlueColumns R and S unequal in lengthU1T2RedS1 and S2 matchU2T3RedS2 and S3 matchU3U1RedColumns S and T equal in lengthU4U2RedT1 and T2 matchV1V1RedColumns T and U equal in lengthW1V2RedU1 and U2 matchW2W1BlueColumns U and V unequal in lengthX1X1BlueColumns V and W unequal in lengthY1Y1RedColumns W and X equal in lengthZ1Y2BlueX1 and X2 don’t matchAA1Y3RedX2 and X3 matchAB1Z1BlueColumns X and Y unequal in lengthAB2AA1BlueColumns Y and Z unequal in lengthAB3AA2BlueAA1 and AA2 don’t matchAB4AB1BlueColumns Z and AA unequal in lengthAB5AC1BlueColumns AA and AB unequal in lengthAB6AC2BlueAB1 and AB2 don’t matchAC1AC3RedAB2 and AB3 matchAD1AD1BlueColumns AB and AC unequal in lengthAD2AE1BlueColumns AC and AD unequal in lengthAD3AE2BlueAD1 and AD2 don’t matchAE1AE3RedAD2 and AD3 matchAE2AE4RedAD3 and AD4 matchAF1AF1BlueColumns AD and AE unequal in lengthAF2AG1BlueColumns AE and AF unequal in lengthAG1AH1RedColumns AF and AG equal in lengthAG2AI1RedColumns AG and AH equal in lengthAG3AJ1RedColumns AH and AI equal in lengthAH1AJ2BlueAI1 and AI2 don’t matchAI1AJ3RedAI2 and AI3 matchAJ1AK1BlueColumns AI and AJ unequal in lengthAJ2AL1BlueColumns AJ and AK unequal in length

Small Road

The next table, in the bottom left of the display, is the ‘Small Road.’ The Small Road works exactly like the Big Eye Boy, except it skips the column to the left of the current column in the Big Road. To have enough information to go on, the Small Road must wait until the entry after the first entry in the third column of the Big Road. Here is exactly how the Small Road is recorded.

1. If the hand in question causes a new column in the Big Road, then compare the first and third columns to the left of the new column in the Big Road. If they are the same in depth, then record a red circle in the Small Road. If they are not, then record a blue circle.
2. If the hand in question is the same outcome as the previous hand (skipping ties), then compare the cell two cells to the left of the newly created entry in the Big Road with the cell directly above that one. If these two cells are the same, whether both Player, both Banker, or both blank; then mark a red in the Small Road. Otherwise, mark a blue.
   In other words, consider the latest entry in the Big Road. Then, move two cells to the left. Then, move up. If the move up does not result in a change, mark red, if it does, mark blue.

The Small Road in the sign pictured was too big to fit in the grid, so the first four columns dropped off. They would have been BBRRBR.

Cockroach Pig

The next table, in the bottom right of the display, is ‘Cockroach Pig.’ The Cockroach works exactly like the Small Road, except it skips two columns to the left of the current column in the Big Road. To have enough information to go on, the Cockroach Pig must wait until the entry after the first entry in the fourth column of the Big Road. Here is exactly how the Cockroach Pig is recorded.

1. If the hand in question causes a new column in the Big Road then compare the first and fourth columns to the left of the new column in the Big Road. If they are the same in depth, then record a red circle in the Cockroach Pig. If they are not, then record a blue circle.
2. If the hand in question is the same outcome as the previous hand (skipping ties), then compare the cell three cells to the left of the newly created entry in the Big Road with the cell directly above that one. If these two cells are the same, whether both Player, both Banker, or both blank; then mark a red in the Cockroach Pig. Otherwise, mark a blue.
   In other words, consider the latest entry in the Big Road. Then, move three cells to the left. Then, move up. If the move up does not result in a change, mark red, if it does, mark blue.

Other Statistics

Finally, the above picture shows the upper right part of the display. The left part shows overall shoe statistics for how often each bet won. This is not a very realistic example, as I put in Player and Banker wins only, for purposes of example. The right part shows what will happen on the Big Eye Boy, Small Road, and Cockroach Pig according to whether the next hand is a Player or Banker win.

Links

Fate in the cards: understanding baccarat trends (part 1) and (part 2) by Andrew W Scott

How To Read Baccarat Board

Acknowledgements

Thanks to the friendly and helpful staff at the Venetian for suffering my many questions about this topic and letting me take pictures of their sign.

Written by: Michael Shackleford

Boniface c. 1917

Born
March 5, 1894

New York City, U.S.

DiedSeptember 2, 1950 (aged 56)
Resting placeValhalla Memorial Park CemeteryOccupationActressYears active1925–1950Spouse(s)Frank Pharr Simms

Symona Ferner Boniface (March 5, 1894 — September 2, 1950) was an American film actress, most frequently seen in bit parts in comedy shorts, mostly at Columbia Pictures, particularly those of The Three Stooges. She appeared in 120 films between 1925 and 1956.

Early life[edit]

Boniface was born in New York City, the daughter of George C. Boniface, an actor, and his wife Norma Ferner Boniface, an inventor. Symona’s father was of English extraction and her mother of German heritage, though both were New York natives.[1]

Career[edit]

Boniface is probably best known[according to whom?] as a society matron foil for slapstick comedy trio the Three Stooges, in which she intercepted many a flying pie. Thanks to the daily television broadcast of the wildly popular Stooge films, Boniface is widely seen on a regular basis. Boniface employed her perfect comic timing in several of her appearances. She dealt with a shrinking or torn skirt in No Census, No Feeling and Crash Goes the Hash, squirmed uncontrollably thanks to a mouse crawling down her back in Loco Boy Makes Good, and was flooded in both Spook Louder and her final appearance, Vagabond Loafers. Conversely, she maintained her composure in Micro-Phonies and even dealt Curly Howard several painful face slaps in An Ache in Every Stake.

Half-Wits’ Holiday[edit]

Boniface’s tour de force performance came in Half-Wits Holiday opposite Moe Howard. Mischievous Curly grabs a cream pie from a pastry table, and tries to eat it whole. Moe sees this, swipes the pie, and pushes Larry out of the way. Seeing the approaching Mrs. Smythe-Smythe (Boniface), Moe tosses the pie straight up, resulting in it sticking to the ceiling. Noticing his nervousness and frequent upward glances, Smythe-Smythe sympathetically comments, ‘Young man, you act as if the Sword of Damocles is hanging over your head.’ Moe tells her she must be psychic and leaves. Bewildered, Mrs. Smythe-Smythe says ‘I wonder what’s wrong with that young man?’ and looks up to see what had him so concerned. At that moment, the pie comes crashing down in the society matron’s face. The footage would be recycled four more times over the next 13 years in the films Pest Man Wins, Scheming Schemers, Pies and Guys and Stop! Look! and Laugh!.

Boniface also appeared in the Stooges’ 1949 television pilot Jerks of All Trades, which would be the last project she ever appeared in. Stock footage of her would appear in six ensuing Stooges shorts following her death.

Personal life and death[edit]

Boniface married Frank Pharr Simms, a salesman and real-estate broker from Decatur, Georgia.[2][3] Boniface was 56 years of age when she died of pancreatic cancer on September 2, 1950.

Selected filmography[edit]

• Baby Brother (1927, Short) — Party guest
• The Mysterious Lady (1928) — Party Guest (uncredited)
• Forgotten Faces (1928) — Roulette Player (uncredited)
• Show Girl (1928) — Show Girl (uncredited)
• Show People (1928) — Guest (uncredited)
• The Fatal Warning (1929) — Marie Jordan
• The Kiss (1929) — Gossip in Museum (uncredited)
• The Vagabond Lover (1929) — Musicale Guest (uncredited)
• Sunny Side Up (1929) — Woman in hallucination montage (uncredited)
• Daybreak (1931) — Bystander at Baccarat Table (uncredited)
• The Public Defender (1931) — Auction Attendee (uncredited)
• Dragnet Patrol (1931) — Ethel Bainbrick
• The Man Who Played God (1932) — Woman in Audience (uncredited)
• Arsène Lupin (1932) — Party Guest (uncredited)
• It’s Tough to Be Famous (1932) — Autograph Seeker (uncredited)
• Back Street (1932) — Lady at Casino (uncredited)
• Pack Up Your Troubles (1932) — Wedding Guest (uncredited)
• Call Her Savage (1932) — Gambling Lady (uncredited)
• The Mind Reader (1933) — Gossip in Phone Montage (uncredited)
• Reunion in Vienna (1933) — Noblewoman (uncredited)
• Tarzan the Fearless (1933) — Sara (uncredited)
• Skyway (1933) — Baker’s Girlfriend (uncredited)
• Beauty for Sale (1933) — Mrs. Fletcher (uncredited)
• Christopher Bean (1933) — Auction Participant (uncredited)
• The House on 56th Street (1933) — Blackjack Player (uncredited)
• Girl Without a Room (1933) — Woman (uncredited)
• Easy to Love (1934) — Roulette Table Player (uncredited)
• The Black Cat (1934) — Cultist (uncredited)
• The Murder in the Museum (1934) — Katura the Seeress
• The Count of Monte Cristo (1934) — Party Guest (uncredited)
• One Night of Love (1934) — Minor Role (uncredited)
• British Agent (1934) — Ball Guest at British Embassy (uncredited)
• Among the Missing (1934) — Prisoner (uncredited)
• Broadway Bill (1934) — (uncredited)
• Shanghai (1935) — Night Club Patron (uncredited)
• Pardon My Scotch (1935, Short) — Party Guest (uncredited)
• The Last Days of Pompeii (1935) — Slave Auction Observer (uncredited)
• The Golden Arrow (1936) — (uncredited)
• Marihuana (1936) — Helen — Burma’s Customer (uncredited)
• Girls’ Dormitory (1936) — Professor Clotilde Federa
• Slippery Silks (1936, Short) — Mrs. Morgan Morgan (uncredited)
• That Girl from Paris (1936) — Wedding Guest (uncredited)
• Confession (1937) — Actress (uncredited)
• Termites of 1938 (1938, Short) — Guest (uncredited)
• Tassels in the Air (1938, Short) — One of Mrs. Smirch’s card-playing friends (uncredited)
• Women Are Like That (1938) — Lady Behind Claudius on Boat (uncredited)
• In Early Arizona (1938) — Doc’s Saloon Sweetheart (uncredited)
• On Your Toes (1939) — Woman in Audience (uncredited)
• Ninotchka (1939) — Gossip (uncredited)
• A Plumbing We Will Go (1940, Short) — Party Guest (uncredited)
• No Census, No Feeling (1940, Short) — Bridge Party Hostess (uncredited)
• Souls in Pawn (1940) — Nurse at ‘The Manger’
• All the World’s a Stooge (1941, Short) — Party Guest (uncredited)
• An Ache in Every Stake (1941, Short) — Party Guest (uncredited)
• In the Sweet Pie and Pie (1941, Short) — Mrs. Gottrocks (uncredited)
• Some More of Samoa (1941, Short) — Mrs. Winthrop (uncredited)
• Loco Boy Makes Good (1942, Short) — Nightclub Patron with Mouse Down Dress (uncredited)
• Woman of the Year (1942) — Tess’ Party Guest (uncredited)
• Born to Sing (1942) — Audience Member (uncredited)
• One Dangerous Night (1943) — Woman (uncredited)
• Murder in Times Square (1943) — Theatre Patron (uncredited)
• Spook Louder (1943, Short) — Well-Dressed Woman (uncredited)
• Clancy Street Boys (1943) — Dress Saleslady (uncredited)
• The Fallen Sparrow (1943) — Guest (uncredited)
• Crash Goes the Hash (1944, Short) — Mrs. Van Bustle (uncredited)
• Wilson (1944) — White House Reception Guest (uncredited)
• Mrs. Parkington (1944) — Clothing Fitter (uncredited)
• Lost in a Harem (1944) — Slave Girl (uncredited)
• Her Highness and the Bellboy (1945) — Maid (uncredited)
• Girls of the Big House (1945) — Matron (uncredited)
• Micro-Phonies (1945, Short) — Mrs. Bixby
• The Notorious Lone Wolf (1946) — Grand Dame at Airport (uncredited)
• Gilda (1946) — Gambler at Roulette Table (uncredited)
• Talk About a Lady (1946) — Ladies’ League Woman (uncredited)
• Two Sisters from Boston (1946) — Opera Cast Member (uncredited)
• Earl Carroll Sketchbook (1946) — Screaming Woman (uncredited)
• The Mysterious Mr. Valentine (1946) — Landlady (uncredited)
• Gallant Journey (1946) — Dance Floor Extra (uncredited)
• G.I. Wanna Home (1946, Short) — Landlady (uncredited)
• The Jolson Story (1946) — Woman in Audience (uncredited)
• The Beast with Five Fingers (1946) — Mourner (uncredited)
• Half-Wits Holiday (1947, Short) — Mrs. Smythe-Smythe (uncredited)
• Angel and the Badman (1947) — Dance Hall Madam (uncredited)
• Born to Kill (1947) — Gambler at Roulette Table (uncredited)
• All Gummed Up (1947, Short) — Mother-in-law (uncredited)
• Heavenly Daze (1948, Short) — Mrs. DePuyster (uncredited)
• The Untamed Breed (1948) — Milly (uncredited)
• The Return of October (1948) — Hedwig (uncredited)
• Joan of Arc (1948) — Peasant (uncredited)
• The Man from Colorado (1949) — Matron (uncredited)
• Slightly French (1949) — Party Guest (uncredited)
• Vagabond Loafers (1949, Short) — Mrs. Norfleet
• Appointment with Danger (1950) — Woman (uncredited)
• Beware of Blondie (1950) — A Gossip (uncredited)
• Rogues of Sherwood Forest (1950) — Charcoal Burner’s Wife (uncredited)
• Between Midnight and Dawn (1950) — Minor Role (uncredited)
• Pirates of the High Seas (1950, Serial) — Lotus Lady
• Pest Man Wins (1951, Short) — Mrs. Smythe-Smythe (archive footage) (uncredited)
• Bedlam in Paradise (1955, Short) — Mrs. De Puyster (archive footage) (uncredited)
• Scheming Schemers (1956, Short) — Mrs. Norfleet (uncredited) (final film role)
• Pies and Guys (1958, Short) — (archive footage)
• Stop! Look! and Laugh! (1960) — Mrs. Bixby / Party Guest (archive footage) (uncredited)

How To Read A Baccarat Board

References[edit]

1. ^United States Census: Year: 1910; Census Place: Manhattan Ward 12, New York, New York; Roll: T624_1026; Page: 7B; Enumeration District: 0694; Image: 874; FHL Number: 1375039.
2. ^United States Census: Year: 1930; Census Place: Los Angeles, Los Angeles, California; Roll: 137; Page: 16A; Image: 601.0; Family History Library Film: 2339872.
3. ^United States, Selective Service System. World War I Selective Service System Draft Registration Cards, 1917–1918. Registration Location: Buckingham County, Virginia; Roll: 1984264; Draft Board: 0.

External links[edit]

Wikimedia Commons has media related to Symona Boniface.

• Symona Boniface at IMDb
• Symona Boniface at AllMovie
• Symona Boniface at Find a Grave

How To Read The Baccarat Score Boards

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